Photographer's Note
Part 11 of a (foreshortened) 11 part series on slacklining on library lawn at Oklahoma State University in Stillwater, Oklahoma.
Further details about slacklining can be found in my earlier posts from the series... and perhaps eventually i will come back and extend the series a bit further, as i have grown a bit more proficient in slacklining myself and as a result have had opportunities to shoot some more advanced tricks than the basics depicted in this series.
On one of my first uploads, Rafal (jinju) suggested that i was possibly a little bit worried, as i shot that picture at 46mm on a lens that goes 18-200. He asked for an 18mm shot.
Well... i'm not going to lie. i spent about five or ten minutes watching everybody that got near the line take tremendous falls... and i was maybe just slightly worried. After taking pictures for 45 minutes or an hour, though, i began to get a feel for who was comfortable enough on the line for me to take some risks and who was not.
This line belonged to a man named Logan. This would be him--he was one of those who won my trust (the first time that i can recall my subject needing to win my trust for me to take the picture i wanted rather than me needing to win his or her trust to do the same...). i flipped over to autofocus, held my camera at ground level pointed straight up, and tried to time the shot right. i tried 11 times, and this was my second try, which i feel was most effective. He never landed on me, but came close a few times.
If i was to take this picture again, i think that i would have set my aperture at closer to f/8 or so and manually focused to about two and a half meters in order to have a little bit better margin for error on the focus and to avoid the auto-focus's tendency to lock onto the hard lines of the tree above Logan.
Also, i've started putting a watermark on my pictures. This is not because i think it makes them look better, but merely to offer what little bit of protection to my work that i can. i don't think that it makes it any harder to critique the pictures, and i think that the watermark is here to stay.
My next picture will be from... somewhere else. i haven't decided yet... but i think i'm going to go back out of the country for a few pictures. Maybe Mexico, maybe Panama, maybe Peru... i'm not sure.
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Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10
luisafonso, pboehringer έχουν(ει) επιλέξει αυτή τη σημείωση ως χρήσιμη
Critiques | Translate
devimeuxbe
(58557) 2008-01-07 13:52
Hi sam
What a creative picture !
Excellent idea and realisation. Lot of humour and also esthetisme.
Well done
Bertrand
wag
(659) 2008-01-07 13:54
hello Sam , I love this composition, hands look like other branches, tfs
Peter
luisafonso
(862) 2008-01-08 0:57
I was waiting for the project to be finished to comment it as a whole, but this one really deserves a special mention, even if it wasn't the last one. It's incredible Sam. If it wasn't for that strange sensor dust (mine are usual circular dots while yours D50 prints SBs all across the frame...) I would gladly mark it as a favorite. Love the placement of the slack line, the slackliner, the blue background and the amazing graphical tree. It's a great one.
Now talking about the 11 photo project, I think it's a good one. I don't like the mix of color and b&w photos - I would like to see just one choice to strengthen the unity of it - but your compositions are very different from one another and that's great. The order is also good. A story is built from that and it helps us to understand what's happening. I don't think this one is a great ender though. I would place this one in the center of the project, because it's so emblematic. Number 1 is a great starter!
My favorites: Nos. 2, 5 and 9 (and of course this last one).
wolf38
(30) 2008-01-08 1:08
Hello SAM. Really an original photo with an unusual point of view. Worth seeing and photographically outstanding realizes. Best regards, Wolfgang.
Manamo
(3710) 2008-01-09 12:27
Hello Sam,
I've followed this series for a while now. I liked how you explored many facets of this sport/game. At first, I was wondering where you were going with that, but I finally liked the idea very much.
This one is my favorite, probably THE favorite. It has a visual impact, nice lines, nice colors. I'm pretty sure it was on purpose that the tree followed the same line as the line and the man, and I'm also pretty sure that it was on purpose that the line was not perfectly horizontal. Although I like the idea of the tree, I can't say the same about the line orientation. For me, either it's oblique, either it's horizontal to give a good visual appeal.
I think the aperture was a little too wide. You were a little short on the focus zone and I think the focus is over Logan's head...
I think you had a huge dust on the sensor (the foot)...It diminishes the quality of the shot a little and that would be easy to fix...
Finally, like I told, I like this whole series and I liked the initiative and the goal you fixed for yourself. However, I wonder if each picture can stand alone without the theme. For me, a series seen as a whole give strength to each picture individually. But, for this, each picture must be able to stand for itself without the theme. 2-5-7-10-11 really were able to stand for themselves. I'm not sure about the others. I know, each of them bring a new concept around the slacklining sport...It's just my 2 cents. I hope you won't mind my comment...
Have a nice day,
Marc
I forgot...the watermarks are not too bad, but could be even less visible...If it was me, I might have considered removing the one on the foot and 2 or 3 on the tree...
rbcy1974
(20758) 2008-01-11 5:10
Hello Sam
Happy new year
really great point of view,
I appreciate the risks that you have taken for yourself and your equipment to take this photo.
Bravo for the originality
Regards
Daniel
pboehringer
(770) 2008-01-14 11:01
Sam,
this is my first moment looking into the ongoing "Slacklining" series. each shot has its merits, but this one is the strongest image by far. I was imagining the trust required to get this one and read about it later in your excellent note.
The all through goibg sharpness works extremely well and the bkue sky as background as well as the immense graphical tree are perfect.
The detail of the watermark is a sad proof that authorship is something that is not beeing taken seriously . Personnally I would prefer to see it without the watermark.
Peter
Photo Information
-
Copyright: Sam Beer (SamB)
(1948)
- Genre: Άνθρωποι
- Medium: Έγχρωμο
- Date Taken: 2007-02-22
- Categories: Καθημερινότητα, Αποφασιστική στιγμή
- Camera: Nikon D50, Sigma 18-200 f3.5-6.3
- Έκθεση: f/3.5, 1/320 δευτερόλεπτα
- Έκδοση φωτογραφίας: Πρωτότυπη έκδοση
- Date Submitted: 2008-01-07 13:50
Discussions
- To luisafonso: Ender (1)
by SamB, last updated 2008-01-08 06:50 - To Manamo: Thanks (3)
by SamB, last updated 2008-01-14 05:28 - To pboehringer: Watermark (2)
by SamB, last updated 2008-01-15 07:09