Photographer's Note

When I took this one, inmediately reminds me about Magrittes world, running parallel to our daily world...
Ren Franois Ghislain Magritte (Lessines, Belgium, November 21, 1898 - Brussels, Belgium, August 15, 1967) was a Belgian surrealist painter.
Magritte Surrealism provided the conceptual burden of a game based on ambiguous imagery and its meaning through words denoted by putting into question the relationship between an object and the actual painting.
Her first painting courses at Chtelet. In 1915 begins to make his first works in the line of Impressionism. Between 1916 and 1918 studied at the Academy of Fine Arts in Brussels. Exhibits for the first time at the Art Center in Brussels in 1920 by Pierre-Louis Flouquet, with whom he shared a studio. After military service temporarily working as a designer in a paper mill. In 1923 participates Lissitzky, Moholy-Nagy, Feininger and Paul Joostens maria a flower exhibition at the Royal Art Circle.
His work in the period 1920-1924, for its treatment of the themes of modern life, its brilliant color and its research on the relations of the three-dimensional shape with the flat surface of the table show the influences of Cubism, the orfismo of Futurism and purism

Ren Franois Ghislain Magritte (Lessines, Belgique, Novembre 21, 1898 - Bruxelles, Belgique, le 15 aot 1967) tait un peintre surraliste belge.
Le surralisme de Magritte condition que la charge de la conception d'un jeu bas sur l'ambigut des images et de son sens par les mots signals par la mise en question de la relation entre un objet et la peinture.
Son premier cours de peinture Chtelet. En 1915, commence faire ses premires uvres dans la ligne de l'impressionnisme. Entre 1916 et 1918 des tudes l'Acadmie des Beaux-Arts de Bruxelles. Expositions pour la premire fois l'Art Center Bruxelles en 1920 par Pierre-Louis Flouquet, avec qui il a partag un studio. Aprs le service militaire qui travaillent temporairement en tant que designer dans une usine de papier. En 1923, participe Lissitzky, Moholy-Nagy, Feininger et Paul Joostens maria une exposition de fleurs la Royal Art Circle.
Son travail dans la priode 1920-1924, pour son traitement des thmes de la vie moderne, ses couleurs clatantes et ses recherches sur les relations de la forme tridimensionnelle de la surface plane du tableau montre l'influence du cubisme, le futurisme de orfismo et purisme.

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Additional Photos by Manuel Mayorga (ManuMay) Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 2467 W: 253 N: 4601] (36447)
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