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Photographer's Note

In this church, which dates back to the late thirteenth or early fourteenth succeed three main styles: the Mudejar, which defines the doors of brick, with pointed horseshoe arches and the tower, initially free, the Renaissance , built in the early sixteenth century, on the porch, with characteristic Alcarrian capitals, and finally, the baroque, in the vault interior.

Inside St. Mary, with three naves with pointed arches, now transformed, succeed shrines, tombstones, altars and other art works, including polychrome altarpiece, which drew Fray Francisco Mir in 1624.

Leconte, Cafalex έχουν(ει) επιλέξει αυτή τη σημείωση ως χρήσιμη

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Additional Photos by Manuel Mayorga (ManuMay) Gold Star Critiquer/Gold Star Workshop Editor/Gold Note Writer [C: 2467 W: 253 N: 4601] (36447)
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